91 bars at 180 BPM -- fast, and 2:01 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 3-45, hi-hat through bars 46-48, snare through bars 49-51, silence through bars 52-58, snare through bars 59-65 and hi-hat through bars 66-71, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 3-6, 15-21 and 29-41, and 3 more places -- 48.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
15
1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|
SD |--x---x---x---x-|
BD |x---x---x---x---|5 fills to learn, played 6 times: bars 28, 63, 67, 71, 80 and 81.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
91 bars, about 2:01 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 28, 63, 67, 71, 80 and 81.