248 bars at 201 BPM -- fast, and 4:56 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-9, hi-hat through bars 10-22, kick and crashes through bars 23-28, hi-hat through bars 29-48, kick and crashes through bars 49-52 and hi-hat through bars 53-72, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 38, 42 and 54-55, and 28 more places -- 20.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
38
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--x---x---x---x-|
BD |xx--x---xx--x---|5 fills to learn, played 9 times: bars 20, 35, 120, 136, 144, 148 and 3 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
201 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
248 bars, about 4:56 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 20, 35, 120, 136, 144, 148 and 3 more.