104 bars of 4/4 at 118 BPM, about 3:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
74 out of 100: demanding, mostly on how much of it falls off the beat.
snare through bar 1, ride through bars 2-14, silence through bars 15-19, hi-hat through bars 20-31, ride through bars 32-52 and silence through bars 53-57, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 2-8, 10-12 and 32-38, and 5 more places -- 43.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3
1.....2.....3.....4.....
RD |x-g-x-x-g-x-x-g-x-x-g-x-|
SD |------x-----------x-----|
BD |x-----------x-----------|5 fills to learn, played 7 times: bars 13, 51, 61, 77, 85, 98 and 1 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 62 out of 100; the rest of the number is everything around it.
104 bars, about 3:32 at the written tempo. The course breaks it into 25 exercises over 9 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 13, 51, 61, 77, 85, 98 and 1 more.