283 bars of 4/4 at 138 BPM, about 8:03 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-20, kick and crashes through bars 21-23, toms through bars 24-25, hi-hat through bars 26-102, kick and crashes through bars 103-107 and hi-hat through bars 108-180, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 26-28, 30-35 and 37-43, and 40 more places -- 41.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
27
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-----x---------|21 fills to learn, played 38 times: bars 24, 25, 29, 61, 69, 81 and 32 more.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
283 bars, about 8:03 at the written tempo. The course breaks it into 50 exercises over 14 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 38 times: bars 24, 25, 29, 61, 69, 81 and 32 more.