68 bars of 4/4 at a walking 92 BPM, 2:57 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-46, silence through bars 47-49, snare through bars 50-55 and hi-hat through bars 56-68.
The beat the song is built on is one bar, played through bars 9-11, 22-24 and 26-28, and 7 more places -- 51.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1e+a2e+a3e+a4e+a
CC |x------------x--|
HH |--o-o-o-o-o-o---|
SD |-x--x----x--x---|
BD |x--x-x-x--xx-x--|2 fills to learn, played 5 times: bars 33, 53, 56, 60 and 66.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
68 bars, about 2:57 at the written tempo. The course breaks it into 14 exercises over 7 sittings, about 22 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 33, 53, 56, 60 and 66.