92 bars of 4/4 at a walking 87 BPM, 4:14 of playing, on hi-hat, snare, kick and hi-hat foot.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-60, kick and crashes through bars 61-66 and hi-hat through bars 67-92.
The beat the song is built on is a 2-bar phrase, played through bars 1-9, 11-60 and 67-92 -- 92.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
1 2
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |o---xxxxxxxxxxxx|o---xxxxxxxoxxxx|
SD |----x-------x---|----x-------xx--|
BD |x------x--x-----|xx-----x--x-----|
HF |--x-------------|--x-------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 5 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
92 bars, about 4:14 at the written tempo. The course breaks it into 5 exercises over 2 sittings, about 22 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.