96 bars of 3/4 -- not four -- at 95 BPM, 3:02 of playing on crash, hi-hat, snare and kick.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-21, snare through bars 22-28, hi-hat through bars 29-31, snare through bars 32-36, silence through bars 37-41 and snare through bars 42-49, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 22, 24 and 26, and 8 more places -- 48.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
22
1e+a2e+a3e+a
SD |------x-----|
BD |x---x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 1 out of 100; the rest of the number is everything around it.
96 bars, about 3:02 at the written tempo. The course breaks it into 17 exercises over 4 sittings, about 27 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.