87 bars of 4/4 at a walking 86 BPM, 4:03 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
75 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-12, ride through bars 13-20, hi-hat through bars 21-28, ride through bars 29-36, hi-hat through bars 37-56 and ride through bars 57-64, and 1 more change after that.
The beat the song is built on is one bar, played through bars 1-12, 21-28 and 37-40, and 3 more places -- 50.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3
1.......2.......3.......4.......
HH |x---x---x---x---x---x---x---x---|
SD |--------x---------x-----x-----xx|
BD |x---x---------x-x-----x---x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
86 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
87 bars, about 4:03 at the written tempo. The course breaks it into 14 exercises over 5 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.