194 bars, 20:14, at 45 BPM: slow enough that every note is exposed. Crash, snare, high tom, mid tom and kick and nothing else.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-7, snare through bars 8-32, toms through bars 33-50, silence through bars 51-55, snare through bars 56-72 and toms through bars 73-76, and 7 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 57-72, 77-79 and 81, and 3 more places -- 37.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
57 58
1.......2.......3.......4....... 1.......2.......3.......4.......
CC |x-------x-------x-------x-------|x-------x-------x-------x-------|
SD |--------X---------------X-------|--------X---------------X-------|
BD |x-------------------------------|-----x-------x--x----x-------x--|4 fills to learn, played 11 times: bars 3, 5, 73, 74, 75, 76 and 5 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
45 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
194 bars, about 20:14 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 27 minutes each.
crash, snare, high tom, mid tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 11 times: bars 3, 5, 73, 74, 75, 76 and 5 more.