76 bars of 4/4 at a walking 85 BPM, 3:34 of playing, on crash, ride, hi-hat, snare and kick.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-3, hi-hat through bars 4-12, ride through bars 13-14, snare through bars 15-16, hi-hat through bars 17-18 and snare through bars 19-20, and 10 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 7-8, 10-11 and 23-24, and 3 more places -- 14.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 8
1.......2.......3.......4....... 1.......2.......3.......4.......
HH |x-x-x-x-o---x-x-x-x-x-x-x-x-o---|x-x-x-x-o---x-x-x-x-x-x-o---x---|
SD |--------x-------------x-----x---|--------x-------------x-----x---|
BD |x---x---------------x-----x-----|x---x---------------x-----x-----|4 fills to learn, played 14 times: bars 4, 15, 17, 18, 28, 36 and 8 more.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
76 bars, about 3:34 at the written tempo. The course breaks it into 30 exercises over 13 sittings, about 22 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
4 fills to learn, played 14 times: bars 4, 15, 17, 18, 28, 36 and 8 more.