136 bars of 4/4 at 114 BPM, about 4:53 of playing, on hi-hat, snare, kick and hi-hat foot.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-68, snare through bars 69-72, hi-hat through bars 73-120, snare through bars 121-124, hi-hat through bars 125-128 and snare through bars 129-133, and 1 more change after that.
The beat the song is built on is one bar, played through bars 5-8, 10 and 12-16, and 14 more places -- 60.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
6
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x--x------x----x|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
136 bars, about 4:53 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 26 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.