198 bars at 195 BPM -- fast, and 4:04 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-10, ride through bars 11-18, hi-hat through bars 19-26, ride through bars 27-30, hi-hat through bars 31-34 and ride through bars 35-38, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 39-40, 42-44 and 46-48, and 9 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
39
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |x-------x-------|
BD |x-x-x-x-x-x-x-x-|12 fills to learn, played 25 times: bars 10, 18, 26, 30, 34, 38 and 19 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
195 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
198 bars, about 4:04 at the written tempo. The course breaks it into 48 exercises over 16 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 25 times: bars 10, 18, 26, 30, 34, 38 and 19 more.