144 bars of 4/4 at 120 BPM, about 4:48 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-8, snare through bars 9-32, hi-hat through bars 33-48, snare through bars 49-64, hi-hat through bars 65-80 and snare through bars 81-105, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 1-8, 33-48 and 65-80, and 1 more place -- 52.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
2
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--------x-------|
BD |x-----x-------x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
144 bars, about 4:48 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 22 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.