126 bars at 210 BPM -- fast, and 2:38 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
82 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
hi-hat through bars 1-8, toms through bars 9-12, snare through bars 13-20, hi-hat through bars 21-28, snare through bars 29-44 and hi-hat through bars 45-52, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 13-20, 37-44 and 69-76, and 1 more place -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13
1.....2.....3.....4.....
CC |x-----x-----x-----x-----|
SD |------x-----------x-----|
BD |x-x-x-x-x-x-x-x-x-x-x-x-|7 fills to learn, played 11 times: bars 32, 36, 56, 60, 68, 80 and 5 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
210 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
82 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
126 bars, about 2:38 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 32, 36, 56, 60, 68, 80 and 5 more.