106 bars of 4/4 at a walking 88 BPM, 4:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, ride through bars 6-13, hi-hat through bars 14-23, ride through bars 24-43, hi-hat through bars 44-53 and ride through bars 54-65, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 11 more places -- 26.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |--xxx-xxx-xxx-xx|
SD |----x-------x---|
BD |x-------x-------|4 fills to learn, played 18 times: bars 5, 13, 15, 27, 31, 35 and 12 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
106 bars, about 4:47 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 18 times: bars 5, 13, 15, 27, 31, 35 and 12 more.