118 bars at 164 BPM -- fast, and 2:53 of it without a break -- on crash, hi-hat, snare, high tom, floor tom and kick.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
The time is kept on the hi-hat the whole way through.
The beat the song is built on is a 2-bar phrase, played through bars 54-60, 62-68 and 86-92, and 5 more places -- 33.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
54 55
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---------x-|----------------|
HH |--------o-o-o---|--o-o-o-o-o-o-o-|
SD |----x-------x---|----x-------x---|
BD |x---x---x-x---x-|--x-----x-x---x-|4 fills to learn, played 12 times: bars 20, 46, 53, 61, 69, 85 and 6 more.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
164 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
118 bars, about 2:53 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 20, 46, 53, 61, 69, 85 and 6 more.