144 bars of 4/4 at 126 BPM, about 4:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-41, ride through bars 42-49, hi-hat through bars 50-73, ride through bars 74-81 and hi-hat through bars 82-89, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 5, 7-11 and 14-21, and 10 more places -- 50% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5
1e+a2e+a3e+a4e+a
HH |x-x-X-x-x-x-X-x-|
SD |------------x---|
BD |x-----x-x-------|7 fills to learn, played 14 times: bars 29, 41, 49, 73, 93, 97 and 8 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
144 bars, about 4:34 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 29, 41, 49, 73, 93, 97 and 8 more.