120 bars of 4/4 at 120 BPM, about 4:00 of playing, on hi-hat, snare and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-22, silence through bars 23-24, hi-hat through bars 25-54, silence through bars 55-56, hi-hat through bars 57-64 and kick and crashes through bars 65-72, and 1 more change after that.
The beat the song is built on is one bar, played through bars 1-16, 25-48 and 50, and 3 more places -- 81% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1e+a2e+a3e+a4e+a
HH |--xx--x----x--x-|
SD |----x-------x---|
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
120 bars, about 4:00 at the written tempo. The course breaks it into 12 exercises over 3 sittings, about 27 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.