305 bars at 240 BPM -- fast, and 5:05 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-26, ride through bars 27-45, snare through bars 46-50, hi-hat through bars 51-72, snare through bars 73-74 and ride through bars 75-92, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 51-65, 67-72 and 93-107, and 4 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
52
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-x---x-x-x---x-|9 fills to learn, played 30 times: bars 14, 18, 22, 26, 42, 44 and 24 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
240 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
305 bars, about 5:05 at the written tempo. The course breaks it into 46 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 30 times: bars 14, 18, 22, 26, 42, 44 and 24 more.