86 bars of 4/4 at a walking 83 BPM, 4:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-9, snare through bars 10-27, ride through bars 28-34, snare through bars 35-57, toms through bars 58-59 and snare through bars 60-86.
The beat the song is built on is a 2-bar phrase, played through bars 14-16, 18-20 and 22-24, and 6 more places -- 31.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 15
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |----------------|----x---x-------|
SD |x-------x-------|x---------------|
BD |----x-------x---|----x---x---x---|
HF |x---x---x---x---|x-----------x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
86 bars, about 4:06 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.