255 bars of 4/4 at 130 BPM, about 7:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 2-17, hi-hat through bars 18-33, snare through bars 34-49, hi-hat through bars 50-57, snare through bars 58-69 and hi-hat through bars 70-89, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 58-61, 66-68 and 70-76, and 13 more places -- 28.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
58
1...........2...........3...........4...........
CC |x-----------x-----------x-----------x-----------|
SD |------------x-----------------------x-----------|
BD |x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--|16 fills to learn, played 27 times: bars 17, 41, 49, 63, 64, 65 and 21 more.
It cuts the song into 61 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
255 bars, about 7:51 at the written tempo. The course breaks it into 61 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 27 times: bars 17, 41, 49, 63, 64, 65 and 21 more.