153 bars at 195 BPM -- fast, and 3:08 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-49, silence through bars 50-57, snare through bars 58-134, ride through bars 135-150 and kick and crashes through bars 151-153.
The beat the song is built on is one bar, played through bars 1-6, 9-14 and 26-31, and 1 more place -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1
1e+a2e+a3e+a4e+a
CC |--x---x---x---x-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|12 fills to learn, played 33 times: bars 7, 15, 16, 32, 40, 41 and 27 more.
It cuts the song into 51 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
195 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
153 bars, about 3:08 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 33 times: bars 7, 15, 16, 32, 40, 41 and 27 more.