67 bars of 4/4 at 120 BPM, about 2:14 of playing, on crash, hi-hat, snare and kick.
31 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.
silence through bars 1-4, hi-hat through bars 5-35, kick and crashes through bars 36-39 and hi-hat through bars 40-67.
The beat the song is built on is one bar, played through bars 24-31, 47-49 and 52-55, and 1 more place -- 36.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
28
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |--------r-----r-|
BD |x-x-------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
31 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 19 out of 100; the rest of the number is everything around it.
67 bars, about 2:14 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.