329 bars at 182 BPM -- fast, and 7:31 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
77 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-50, toms through bars 51-53, hi-hat through bars 54-77, ride through bars 78-85, hi-hat through bars 86-117 and snare through bars 118-120, and 18 more changes after that.
The beat the song is built on is one bar, played through bars 33-46, 182 and 185, and 3 more places -- 9.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-x-x-x-x-x-x-x-|25 fills to learn, played 109 times: bars 1, 2, 3, 4, 5, 6 and 103 more.
It cuts the song into 83 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
182 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
329 bars, about 7:31 at the written tempo. The course breaks it into 83 exercises over 27 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 109 times: bars 1, 2, 3, 4, 5, 6 and 103 more.