181 bars at 250 BPM -- fast, and 2:54 of it without a break -- on crash, hi-hat, snare and kick.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-9, snare through bars 10-23, hi-hat through bars 24-25, snare through bars 26-31, hi-hat through bars 32-49 and snare through bars 50-63, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 10-24, 26-32 and 50-64, and 3 more places -- 36.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
10
1e+a2e+a3e+a4e+a
SD |----x-------x-x-|
BD |x-x---x---x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
250 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 13 out of 100; the rest of the number is everything around it.
181 bars, about 2:54 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.