139 bars of 4/4 at 152 BPM, about 3:39 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
66 out of 100: demanding, mostly on how many notes a second it asks for.
silence through bars 1-4, toms through bars 5-8, ride through bars 9-24, hi-hat through bars 25-40, ride through bars 41-48 and snare through bars 49-56, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 33-35, and 9 more places -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
26
1e+a2e+a3e+a4e+a
HH |----XxgxXxgxo---|
SD |X-X-------------|
T2 |X-X-------------|
BD |x-x-------------|
HF |x---------------|5 fills to learn, played 11 times: bars 16, 40, 48, 56, 82, 86 and 5 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 53 out of 100; the rest of the number is everything around it.
139 bars, about 3:39 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 16, 40, 48, 56, 82, 86 and 5 more.