136 bars of 4/4 at 120 BPM, about 4:32 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 3-4, hi-hat through bars 5-48, toms through bars 49-52, hi-hat through bars 53-72, snare through bars 73-76 and hi-hat through bars 77-105, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 5, 11 and 17, and 11 more places -- 36.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
11
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o---o---o---o-|
SD |--x---x---x---x-|
BD |x--x-x--x--x-x--|14 fills to learn, played 34 times: bars 2, 3, 4, 9, 10, 12 and 28 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
136 bars, about 4:32 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 34 times: bars 2, 3, 4, 9, 10, 12 and 28 more.