88 bars of 4/4 at a walking 96 BPM, 3:40 of playing, on crash, ride, hi-hat, snare and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-9, hi-hat through bars 10-34, ride through bars 35-38, hi-hat through bars 39-59, ride through bars 60-63 and hi-hat through bars 64-88.
The beat the song is built on is one bar, played through bars 10-22, 39-47 and 64-71, and 1 more place -- 45% of every bar the kit plays. Learn that one and most of the song is already under your hands.
15
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x--g|
BD |x-----x-x-------|2 fills to learn, played 6 times: bars 9, 38, 63, 79, 86 and 87.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
88 bars, about 3:40 at the written tempo. The course breaks it into 17 exercises over 6 sittings, about 24 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 6 times: bars 9, 38, 63, 79, 86 and 87.