279 bars at 160 BPM -- fast, and 6:15 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 1-14, hi-hat through bars 15-16, ride through bars 17-22, hi-hat through bars 23-24, ride through bars 25-30 and hi-hat through bars 31-32, and 25 more changes after that.
The beat the song is built on is one bar, played through bars 92-94, 96-98 and 100-102, and 11 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
93
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---x---x---x---|22 fills to learn, played 87 times: bars 47, 51, 53, 54, 55, 57 and 81 more.
It cuts the song into 68 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
279 bars, about 6:15 at the written tempo. The course breaks it into 68 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 87 times: bars 47, 51, 53, 54, 55, 57 and 81 more.