111 bars of 4/4 at 144 BPM, about 3:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-18, snare through bars 19-33, silence through bars 34-46, snare through bars 47-49, hi-hat through bars 50-81 and snare through bars 82-97, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 50-57, 59-61 and 66-68, and 5 more places -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
51
1.......2.......3.......4.......
HH |x---x---x---x---x---x---x---x---|
SD |----x-------x-------x-------x---|
BD |x-------x-------x-------x-------|9 fills to learn, played 18 times: bars 19, 20, 24, 28, 47, 48 and 12 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
144 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
111 bars, about 3:05 at the written tempo. The course breaks it into 37 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 19, 20, 24, 28, 47, 48 and 12 more.