261 bars at 180 BPM -- fast, and 5:48 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-25, snare through bars 26-32, hi-hat through bars 33-44, ride through bars 45-61, snare through bars 62-63 and toms through bars 64-68, and 27 more changes after that.
The beat the song is built on is one bar, played through bars 33-39, 41-44 and 52, and 11 more places -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
33
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |x---x---x---x---|
BD |xxxxxxxxxxxxxxxx|18 fills to learn, played 41 times: bars 31, 32, 40, 45, 46, 47 and 35 more.
It cuts the song into 67 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
261 bars, about 5:48 at the written tempo. The course breaks it into 67 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 41 times: bars 31, 32, 40, 45, 46, 47 and 35 more.