87 bars of 4/4 at a walking 102 BPM, 3:25 of playing, on hi-hat, snare and kick.
70 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-18 and hi-hat through bars 19-87.
The beat the song is built on is one bar, played through bars 21-36, 39-50 and 55-70, and 1 more place -- 65.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
21
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |--x---x---x---x-|
BD |x--x-x-xx---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 73 out of 100; the rest of the number is everything around it.
87 bars, about 3:25 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 25 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.