79 bars of 4/4 at 126 BPM, about 2:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 3-4, hi-hat through bars 5-12, ride through bars 13-20, hi-hat through bars 21-28, ride through bars 29-48 and hi-hat through bars 49-58, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 21-23, and 6 more places -- 35.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5
1.....2.....3.....4.....
CC |x-----------------------|
HH |------o-----o-----o-----|
SD |------x-----------x-----|
BD |x-----------x-----------|6 fills to learn, played 13 times: bars 3, 4, 20, 36, 42, 46 and 7 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
79 bars, about 2:30 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 3, 4, 20, 36, 42, 46 and 7 more.