247 bars at 172 BPM -- fast, and 5:45 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-10, hi-hat through bars 11-20, kick and crashes through bars 21-28, hi-hat through bars 29-150, kick and crashes through bars 151-152 and toms through bars 153-154, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 29-33, and 27 more places -- 43% of every bar the kit plays. Learn that one and most of the song is already under your hands.
14
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-x-----|17 fills to learn, played 54 times: bars 11, 12, 20, 24, 28, 35 and 48 more.
It cuts the song into 47 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
172 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
247 bars, about 5:45 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 54 times: bars 11, 12, 20, 24, 28, 35 and 48 more.