146 bars of 4/4 at 140 BPM, about 4:09 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-9, toms through bars 10-13, snare through bars 14-21, hi-hat through bars 22-52, snare through bars 53-57 and hi-hat through bars 58-109, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 14-16, 18-20 and 30-32, and 23 more places -- 60.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
38
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |----x-------x---|
BD |x-------x-------|12 fills to learn, played 27 times: bars 17, 29, 37, 41, 45, 49 and 21 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
146 bars, about 4:09 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 27 times: bars 17, 29, 37, 41, 45, 49 and 21 more.