251 bars at 155 BPM -- fast, and 7:05 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 1-18, silence through bars 19-27, snare through bars 28-35, ride through bars 36-43, hi-hat through bars 44-64 and ride through bars 65-93, and 16 more changes after that.
The beat the song is built on is one bar, played through bars 124-126, 128-129 and 132, and 14 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
203
1...........2...........3...........4...........
CC |x-----------x-----------x-----------x-----------|
SD |------------------------x-----------------------|
BD |x-----------x-----------x-----------------------|16 fills to learn, played 38 times: bars 64, 113, 123, 127, 131, 133 and 32 more.
It cuts the song into 70 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
155 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
251 bars, about 7:05 at the written tempo. The course breaks it into 70 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 38 times: bars 64, 113, 123, 127, 131, 133 and 32 more.