126 bars at 192 BPM -- fast, and 2:38 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-3, snare through bars 4-8, ride through bars 9-15, hi-hat through bars 16-24, ride through bars 25-47 and snare through bars 48-56, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 25-26, 29-30 and 36-38, and 4 more places -- 26% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
26
1.......2.......3.......4.......
RD |x-------x-------x-------x-------|
SD |--------x---x-----------x-------|
BD |x-------------------x-----------|10 fills to learn, played 18 times: bars 8, 16, 32, 41, 45, 48 and 12 more.
It cuts the song into 47 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
192 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
126 bars, about 2:38 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 8, 16, 32, 41, 45, 48 and 12 more.