90 bars of 4/4 at 120 BPM, about 3:00 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-7, hi-hat through bars 8-9 and snare through bars 10-90.
The beat the song is built on is one bar, played through bars 30-32, 34-35 and 38-40, and 5 more places -- 28.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
30
1e+a2e+a3e+a4e+a
CC |x-----------x---|
SD |----x-------x---|
BD |x-------x-------|
HF |--x-x-x-x-x---x-|3 fills to learn, played 8 times: bars 27, 28, 29, 59, 66, 67 and 2 more.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
90 bars, about 3:00 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
3 fills to learn, played 8 times: bars 27, 28, 29, 59, 66, 67 and 2 more.