100 bars of 4/4 at 120 BPM, about 3:20 of playing, on hi-hat, snare, kick and hi-hat foot.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-3, snare through bars 4-7, hi-hat through bars 8-18, snare through bars 19-59, hi-hat through bars 60-71 and silence through bars 72-75, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 4-7, 13 and 15, and 7 more places -- 80.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
4
1e+a2e+a3e+a4e+a
SD |--g---g---g---g-|
HF |g---g---g---g---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 15 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
100 bars, about 3:20 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 24 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.