145 bars of 4/4 at 126 BPM, about 4:36 of playing, on hi-hat, snare and kick.
63 out of 100, a step up from a first song, and the work is in the speed of the hand keeping time.
silence through bars 1-5, snare through bars 6-9, hi-hat through bars 10-85, silence through bars 86-89 and hi-hat through bars 90-145.
The beat the song is built on is one bar, played through bars 14-85 and 90-145 -- 94.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
14
1e+a2e+a3e+a4e+a
HH |-xxxxxxxxxxxxxxx|
SD |----x--x----x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the speed of the hand keeping time. The beat itself is 57 out of 100; the rest of the number is everything around it.
145 bars, about 4:36 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 23 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.