75 bars of 4/4 at a walking 76 BPM, 3:57 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, snare through bars 5-12, hi-hat through bars 13-19, snare through bars 20-28, hi-hat through bars 29-40 and snare through bars 41-48, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 5-12, 21-23 and 25-27, and 6 more places -- 48.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5
1.......2.......3.......4.......
CC |x---x---x---x---x---x---x---x---|
SD |--------x---------------x-------|
BD |x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-|6 fills to learn, played 8 times: bars 20, 28, 32, 36, 40, 58 and 2 more.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
76 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
75 bars, about 3:57 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 20, 28, 32, 36, 40, 58 and 2 more.