97 bars of 4/4 at a walking 100 BPM, 3:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-8, ride through bars 9-16, hi-hat through bars 17-32, ride through bars 33-48, hi-hat through bars 49-64 and ride through bars 65-71, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 33-35, and 7 more places -- 30.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10
1e+a2e+a3e+a4e+a
RD |--x---x---x---x-|
SD |----x-------x---|
BD |x-------x-------|9 fills to learn, played 14 times: bars 8, 24, 31, 32, 44, 48 and 8 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 13 out of 100; the rest of the number is everything around it.
97 bars, about 3:51 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 14 times: bars 8, 24, 31, 32, 44, 48 and 8 more.