92 bars at 170 BPM -- fast, and 2:09 of it without a break -- on crash, hi-hat, snare, floor tom and kick.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-46, kick and crashes through bars 47-48, silence through bars 49-51, snare through bars 52-74 and hi-hat through bars 75-92.
The beat the song is built on is one bar, played through bars 2-9, 15-17 and 27-29, and 3 more places -- 27.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x-----x-----x-|
BD |x---xxx---xxx---|2 fills to learn, played 4 times: bars 54, 56, 64 and 72.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
92 bars, about 2:09 at the written tempo. The course breaks it into 21 exercises over 9 sittings, about 22 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
2 fills to learn, played 4 times: bars 54, 56, 64 and 72.