68 bars of 4/4 at a walking 86 BPM, 3:10 of playing, on hi-hat, snare, mid tom and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-12, hi-hat through bars 13-24, silence through bars 25-32, hi-hat through bars 33-52, silence through bars 53-56 and snare through bars 57-63, and 1 more change after that.
The beat the song is built on is one bar, played through bars 9, 13-15 and 17, and 11 more places -- 40% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |----x-------x---|
BD |x--x---x--x----x|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
68 bars, about 3:10 at the written tempo. The course breaks it into 12 exercises over 6 sittings, about 20 minutes each.
hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.