97 bars of 4/4 at 120 BPM, about 3:14 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-5, hi-hat through bars 6-29, snare through bars 30-37, hi-hat through bars 38-45, silence through bars 46-54 and hi-hat through bars 55-62, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 6-12, 14-20 and 22-24, and 7 more places -- 66.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
7
1.....2.....3.....4.....
HH |x---x-x---x-x---x-x---x-|
SD |------x-----------x-----|
BD |x-----x-----x-----x-----|1 fill to learn, played 1 time: bar 5.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
97 bars, about 3:14 at the written tempo. The course breaks it into 13 exercises over 6 sittings, about 23 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 5.