90 bars of 4/4 at a walking 82 BPM, 4:23 of playing, on crash, hi-hat, snare and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-12, hi-hat through bars 13-20, snare through bars 21-32, hi-hat through bars 33-46 and snare through bars 47-90.
The beat the song is built on is a 2-bar phrase, played through bars 1-10, 21-32 and 47-49, and 5 more places -- 39.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1 2
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
SD |----x-------x---|----x----x--x---|
BD |xx-------x-----x|-xx-------x--x-x|7 fills to learn, played 15 times: bars 50, 53, 54, 56, 58, 64 and 9 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
90 bars, about 4:23 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
7 fills to learn, played 15 times: bars 50, 53, 54, 56, 58, 64 and 9 more.