94 bars of 4/4 at 134 BPM, about 2:56 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, ride through bars 6-8, hi-hat through bars 9-12, snare through bars 13-20, toms through bars 21-28 and snare through bars 29-36, and 6 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 13, 15-17 and 19-20, and 10 more places -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
15 16
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |----g---g---g---|g---g---g---g---|
SD |----x--x------x-|----x-------x---|
BD |--x-----x-x-x---|--x---x-x-x---x-|8 fills to learn, played 10 times: bars 5, 22, 26, 28, 40, 41 and 4 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
94 bars, about 2:56 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 10 times: bars 5, 22, 26, 28, 40, 41 and 4 more.