216 bars of 3/4 -- not four -- at 80 BPM, 8:05 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-24, ride through bars 25-30, snare through bars 31-40, hi-hat through bars 41-64 and ride through bars 65-80, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 22 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
43
1...............2...............3...............
CC |X-----------------------------------------------|
HH |--------o-------o-------o-------o-------o-------|
SD |------------------------x-----------------------|
BD |x---------------x---x-------------------x-------|36 fills to learn, played 57 times: bars 12, 20, 23, 24, 31, 32 and 51 more.
It cuts the song into 80 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
216 bars, about 8:05 at the written tempo. The course breaks it into 80 exercises over 26 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
36 fills to learn, played 57 times: bars 12, 20, 23, 24, 31, 32 and 51 more.