74 bars of 4/4 at a walking 80 BPM, 3:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, snare through bars 5-40, hi-hat through bars 41-50, snare through bars 51-59 and hi-hat through bars 60-74.
The beat the song is built on is one bar, played through bars 6-22, 26-39 and 45-57 -- 62.9% of every bar the kit plays. Learn that one and the song is very nearly finished.
7
1e+a2e+a3e+a4e+a
HH |--------------o-|
SD |----X-------X---|
BD |x-x-----x-x-----|3 fills to learn, played 7 times: bars 23, 25, 41, 42, 43, 44 and 1 more.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 7 out of 100; the rest of the number is everything around it.
74 bars, about 3:42 at the written tempo. The course breaks it into 11 exercises over 4 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 23, 25, 41, 42, 43, 44 and 1 more.