64 bars of 4/4 at a walking 80 BPM, 3:12 of playing, on crash, hi-hat, snare, mid tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4 and hi-hat through bars 5-64.
The beat the song is built on is one bar, played through bars 5, 7 and 37, and 8 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5
1e+a2e+a3e+a4e+a
CC |x-----------x---|
HH |--x-x-x-x-x---x-|
SD |----x-------x---|
BD |x-------x-x-----|8 fills to learn, played 14 times: bars 4, 6, 35, 36, 40, 42 and 8 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
64 bars, about 3:12 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
8 fills to learn, played 14 times: bars 4, 6, 35, 36, 40, 42 and 8 more.